He held strong opinions, but everything he said came from his heart and was backed with facts and historical accuracy. We knocked on the door and a nun answered the door. People pick fights with me. [on his life] I wish I could remember it.
I don't want immortality.
That would cause me anger. Oscar-nominated twice, first for Lindsey Anderson’s “This Sporting Life” in 1964 and then for Jim Sheridan’s “The Field” in 1991, Harris is perhaps best-known today for creating the character of Albus Dumbledore on film in “Harry Potter and the Sorcerer’s Stone” (2001) or co-starring in Oscar best pictures such as Clint Eastwood’s “Unforgiven” (1992) and Ridley Scott’s (2000) “Gladiator.” But while there’s no disputing the lasting quality of those performances, there’s so much more to the Harris legacy, which begins on West End stages back in the mid-’50s.
During the 1940s and early 1950s he went to see all the films of. (1983) Stage: Appeared (as "King Arthur") in "Camelot", London, England.
It was a musical and at a point in time, as part of the narrative, as an actor you have to understand and go over your lines. Harris was a member of the Roman Catholic Knights of Malta, and was also dubbed a knight by the Queen of Denmark in 1985. | He only had his room cleaned once a week and very rarely notified the hotel that he was out of his room, so they had to check his door ten times a day to see if his "Do Not Disturb" sign flipped around to say "Make Up My Room". And he’s outrageous.
I was numb, and it didn't seem to matter. Publicity Listings
That would cause me grievance.
I genuinely don't care. What I hate about our business today is the elitism.
Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels.
[in 2000] I made films I did not want to see, I took planes to places I didn't want to visit, I bought houses I didn't live in. He toured all around the United States, Australia, Canada. She told him, “For us to film the interview, you have to be in Limerick. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. One asked about the current theater scene. My father told Anderson he saw it as “Moby Dick,” the story of a man obsessed with a creature.
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